As we mentioned when talking about the church of Santa Maria de Eunate, there is a church in the nearby village of Olcoz with an almost identical portico. This unique fact in romanesque art has caused lots of legends to sprung around these two works; here we will recount one of them.
According to it, the portico in Santa Maria de Eunate was started by a master sculptor from the templar order, who after doing a large part of the work, had to leave for unspecified reasons. The local authorities called another local sculptor to finish the work, which he managed to do in only three days (according to some versions, this second sculptor was a giant, which would explain a lot, as we’ll see).
When the original sculptor came back from his voyage, he was angered by what he saw as an usurpation of his work. The local authorities challenged him then an identical portico in the same time that it took his substitute. Faced with such a challenge, the master had to resort to the black arts.
(Pictures courtesy of TaxNavarra).
It was the midsummer night (St. John’s day). Following the advice of a witch that lived close to the nearby river Nekeas, the master hid himself close to the river, and waited until a huge snake appeared. The snake left a moonstone that it was carrying on its mouth on the shore. The master waited until the snake had submerged into the river, then picked up the moonstone and ran away to the unworked portico, which was already raised in front of Eunate. He put the moonstone in a cup full of the river’s water, put the cup under the portico, and waited…
…And when the moon reached its apogee, the portico’s stones started taking by themselves the shapes of the sculptures, columns… that existed in the original portico, only reversed. The only problem happened when the second sculptor found out. Angered by the copy that his competitor had made in just one night, he kicked the portico with such force that it flew away from Eunate to Olcoz, where it is now…
And indeed, the current portico in Olcoz is almost identical to the one in Eunate, except that its features are reversed.
Throught the Camino de Santiago, the pilgrim can find many religious monuments (churches, monasteries…), remains of the centuries of tradition and history originated in this route. Among them, however, the Monastery of San Millán de la Cogolla is special, since it holds the honor of being considered the birthplace of the Castilian language, the most spoken language in modern Spain.
The Monastery of Suso (one of the two existing monasteries in San Millán) was, in effect, the place where the “Glosas Emilianeses”, considered the first words written in Castilian (or at least a primitive version of it), were authored. These were notes written on the margin of latin codexes, in order to clarify words or expressions from the main text. Some of these comments were also written in a primitive version of the Basque language, so they can also be considered the oldest existing Basque text.
San Millán de la Cogolla was also the working place of Gonzalo de Berceo, considered the first literary writer in castillian. His main work, “Milagros de Nuestra Señora”, was a compilation of miracles attributed to the Virgin Mary written around 1260, and is considered as one of the first literary works written in Castilian.
Due to these reasons, the Monasteries of San Millán were declared World Heritage Sites by UNESCO in 1997.